Tag Archives: Watercolors

Oxford Studio Tour

May 6 & 7 is only two weeks away!  Some of you may have taken the opportunity to drive around the countryside of Oxford County, Ontario in previous years, so you know what a fantastic selection of original art can be found.  You also know how much fun a daytrip or weekend jaunt like this can be if you pair up with a friend or family member, or gather a carload of them.  We have 18 locations featuring 38 artists, and our brochures are available all over the county in libraries, tourist offices, and businesses, as well as at each studio.  Admission is absolutely free, and all you do is follow the maps and the red signs to get to each studio.  Then you just wander in!  The artists will be there to answer any questions you have (we love when you ask questions), and will leave you alone if all you want to do is enjoy the feast for your eyes.

Below is a small sampling of my own art, in case you are new to it.  I paint traditional subject matter with watercolours and I also do fractal art, all on various surfaces.  Thanks for reading and I hope you’ll stop by my open studio/gallery, at the back of my home which is Location #3.  I’m in Otterville, which is a little off the beaten track for many travelers but it’s worth the drive.  I’m easy to find, on Main Street near the historic mill and waterfall.  And my good friends Sue Goossens and Rhonda Franks, whose work I admire very much, are nearby at Location #4, along with Ashley Beecraft.  I’ve never met her but she makes really cool looking ‘misfit beasts’.

See you soon!

Lianne Todd Art Samples

Oxford Studio Tour basic information

Under the Milky Way

There’s a new juried show opening, at the Elm Hurst Inn in Ingersoll, ON.  It’s called Spectacular Skies.  The title of the show immediately made me think of the night sky: in particular, the night sky in places where light pollution hasn’t destroyed the ability to see the Milky Way in all its glory.  In spite of so many nights away from cities, I’ve yet to really see the night sky in its full splendour, and I hope to do that someday.  I was pondering where, in the world, might be a good place to do this, and my mind went back to this lovely and somewhat isolated cottage at Glen Coe in Scotland.  While thinking about all this during a car trip, I happened to be listening to SiriusXM’s 1st Wave channel, and ‘Under the Milky Way’ by The Church came on.  Complete with bagpipes mid-song.  So, that settled it, I was definitely going to paint this scene.  I dug out my photos of the cottage, changed the composition a little (the photos were taken from a tour bus), imagined it at night, with the Milky Way above it, and got started.

I photographed my work as it progressed, and put all the photos together in this little video.  I hope you enjoy it.  If you’d like to see the framed finished piece, which is a full sheet watercolour on paper (22×30″), it is hanging at the Elm Hurst until May 17.

Opening night at Paint Ontario

If you haven’t been to the Paint Ontario exhibit in other years (I hadn’t) this is really an exhibit worth driving to.  Such an amazing array of really good art portraying so many aspects of Ontario life.  Some really large pieces, some quite small…. mine fell somewhere in the middle, size-wise.  Maybe I should paint larger more often – the large pieces have such an impact.  I loved all the bright colours in many of the pieces, and some of the innovative mixed media.  Very inspiring.  I was also especially glad to see some watercolour pieces winning awards – and congratulations to all the award winners regardless of medium!  I don’t know how a juror would be able to choose, it must have been very difficult.

Anyway,  here is a little picture of me with my two pieces.  I was really happy they decided to hang them together.

Paint Ontario

I recently entered the juried show Paint Ontario with two of my paintings, and to my great delight, they both were chosen for the show.  I’ve certainly been painting Ontario for a long time but this was the first time I’ve entered – partly because it’s a bit of a distance from my house to the venue, and in other years there wasn’t the option of entering online via digital photo – you had to physically bring the painting.

Aside:  In the olden days 😉  juried shows often had you send slides of your paintings.  Remember slides?  And there was special tape to crop the slides with so that only the painting showed in the projection…

Anyway, the digital age is here and I’m really glad.

The two paintings I have in the show are ‘Four Chairs’ (which I posted in ‘A Beautiful Fall’) and a new painting ‘Resting, Killarney’, which I haven’t posted anywhere yet.  I think I will wait to post it.  I like to have people see the real painting first, sometimes.

Opening night is March 10 (this Friday) from 4-9 pm.  Admission is free for the opening night, and there is a cash bar.  Here is an invitation to the exhibit itself:

po_inviteacceptednight2017

Balance

I was feeling the need for some uninhibited pure creativity recently.  I needed to begin with barely an idea and let the painting process direct me.  This piece is the result of that.

It’s about light and dark.  Without the dark, we would be unaware of the light.  Without light, we would be unaware of darkness.  We as humans really like it when we have the right amount of both, because then we can see colour in all its beauty.  Some of us actually see more colour than others, and others just prefer more intense colour, while still others prefer muted colours or shades of grey.  Either way, a perfect balance of light and dark is what we need for our best vision.

I mean all of this metaphorically as well as literally.  Take this imagery, in the context of your own life, or of current events, and make of it what you will.

Radiation & Absorption. Watercolour on Paper, 22x30". Lianne Todd.

Radiation & Absorption. Watercolour on Paper, 22×30″. Lianne Todd.

Our 20th Annual Studio Tour in Otterville

It is that time of year again, time for Welcome Back to Otterville! It’s our 20th year, so we may have some special things to celebrate the event… no firm plans as yet.  Personally, this is my 11th one, since we moved here in 2005.  I feel so lucky to have moved to an area that is so conducive to creating, showing and networking with other artists.

Hopefully you will all mark your calendars right now and plan for a nice day out.  If you’ve been here before, you’ll know we are a very compact tour – it might take you an hour or so to get here from where you are, but once you are here all of ours stops are pretty close to each other, so there will be no worries about covering a lot of territory in a limited time.

wbto2016postersm

Here is a map of our stops, and we have an extra one too (see our website), added after the map was made:

wbtocardback2016flatmed

Postcards with this information on them are now available at some businesses around our region.  If you would like one mailed to you, please let me know.

I’m happy to say that my gallery is a tiny bit more accessible than it was before:  we have installed new patio doors which are much easier to open, and both doors can open so a wheelchair can fit through.  (The sliding door we had previously had too narrow of an opening).  The deck has a ramp leading to it from the stone garden path.  It isn’t the proper slope for an accessibility ramp, but it is definitely an improvement over stairs, if you don’t mind the trek down the garden path!

 

Highland Afternoon

One of the things you get accustomed to as an artist is that your work will be admired, critiqued, awarded, found wanting, rejected, accepted, purchased, or left on your gallery wall.  You never know what a viewer is looking for when they gaze at your work.  It’s why an artist has to stay true to what and how they, in their hearts, want to paint.  You can’t please everybody all of the time, so you have to just please yourself and hope for the best.  That said, we all have egos and those can sometimes be fragile.

I recently entered the IWS Canada Biennale exhibition which is occurring in Vancouver this summer.  As you may know, I am one of the IWS Canada Co-Representatives.  Our country head decided it would be best if we had the jurors choose all of the paintings that would be exhibited, rather than the often customary invitation of country branch heads to exhibit without jurying.  I thought this was a good way to go about things – fair for everyone.   I really only wanted my work to be there if it was juried in, anyway.  So the digital images – over 500 of them from all over the world, were assigned numbers and ranked by three excellently qualified independent jurors on a number of criteria.  Only 175 were allowed in the show.

As it turned out, my painting Highland Afternoon did not make the cut.  I was disappointed, naturally, but not crushed, as I knew the competition would be tough.  I am not sure who applied and who didn’t apply to the Biennale, but I learned this morning that I am in very good company when it comes to rejection from this exhibit.  Apparently there were many, not on the list of 175, who may have fully expected acceptance.

I am really proud of us as an organization, that we are moving towards fairness, away from politics, and ensuring very high quality exhibits, showcasing the best of watercolour art from around the globe.   I congratulate all of the participants who made it on to that list of 175, and I look forward to being inspired by their beautiful work!

I am also very happy that I now get to show this painting instead of keeping it under wraps until July.  I really like it.  It’s true to the vision I had of it in my mind, and I completed it fairly quickly because I knew exactly what I wanted to do with it.  I feel that it exemplifies a variety of effects you can achieve with watercolour.  It is what, and how, I wanted to paint.

HIghland Afternoon. Watercolour. 20x27". Lianne Todd. $900.00

HIghland Afternoon. Watercolour. 20×27″. Lianne Todd. $900.00